Content Warning: This play references sizeism, fascism, child neglect, and sexual harassment.

One of the prominent themes of The Caucasian Chalk Circle is the bonds of mothers and their children. The primary conflict in the play revolves around who is the true mother of Michael and the sacrifices involved for anyone who takes on the role of parenthood. Brecht presents readers with two different maternal figures, both of whom have their own claim to custody over the child. Throughout the play, it becomes evident who is the more suitable mother.

Michael’s biological mother is the Governor’s Wife. From her first entrance, her selfish nature is evident. On Easter Sunday, shortly before the riots begin, the Governor’s Wife scoffs at her husband’s doting on their son. She says, “It’s quite impossible to live in this slum. But Georgi, of course, builds only for his little Michael. Never for me. Michael is everything, everything for Michael!” (41). There is a clear sense of jealousy toward Michael from the Governor’s Wife, and she sees him as an adversary in her competition for her husband’s attention. This is thematically important because it shows the unfitness of the upper class to rule.