The short story blends elements of folklore, from legend to fairy tale to fable, and it opens in the manner of oral storytelling: “There was a woman who was beautiful, who started with all the advantages, yet she had no luck” (Paragraph 1). Fables, very broadly speaking, are a literary genre including simple stories—often with animal characters and fantastical elements—that convey a moral, and Lawrence’s fable plainly concerns the consequences of avarice. Fairy tale elements, on the other hand, appear wherever there is the suggestion of the supernatural—enchanted horses, whispering houses, prophetic insights.

Among the most important folkloric qualities is how the basic elements of a quest legend dominate the structure of the story: A youthful knight riding a horse seeks to rescue a beautiful, imprisoned woman. His quest succeeds, but the final act leads to his death. This plot also mocks the “tragic action” defined in Aristotle’s Poetics with a recognition, the knowing of the winning horse’s name, Malabar, and the subsequent reversal, the death of the protagonist, the deliverer, pathetic rather than heroic (see “Irony” below).