Ubu Roi is seen a precursor to the Dada movement, which is a movement based on deliberate irrationality and negation of traditional artistic values. Dada is known as being “anti-art.” Analyze Ubu Roi through this framework—how can the play be read as anti-art? 

Papa Turd is demonstrably greedy and selfish throughout the play; even at its end, he’s preparing to go to Paris and become their “Master of Phynance.” Track Papa Turd throughout the play. How does he remain static as a character? Are there ways in which his character evolves?  

Ubu Roi is an excessive and shocking play. How does this compare with naturalistic theatre in terms of conveying the play’s themes? In what ways does Jarry use violence and vulgarity to help him convey his messages about society?